Diamond Cut Forensics10 Audio Laboratory 10.75| 69 MB

现在,我们很自豪地宣布DC Forensics10。这款功能强大的Forensics软件产品具有DC LIVE / Forensics以前所有版本的强大功能,但还具有一些主要的新功能!从录音混音中拉出声音,您仍然有最好的机会。

探索丰富的编辑选项
您可以添加标记和标签,更改突出显示区域的增益,应用淡入和淡出效果,或在涉及格式标签,采样率,通道数,位深,块时编辑Wave标题对齐方式和平均字节/秒。
该软件应用程序还允许您更改文件的采样率,分辨率,转换质量和抖动模式,根据一天中的时间开始记录,创建测试信号波形文件,将立体声文件转换为两个单声道文件,反之亦然作为导入和导出预设以与其他用户共享(例如,平均,带通,混频器,压缩器,连续噪声,削波器,动态,回波,增强器)。

各种滤镜,效果和取证工具
批处理文件编辑器使您可以一次对多个文件运行过滤器,例如自动调整大小或单击。此外,您可以通过调整划痕,crack啪声,嘶嘶声和嗡嗡声的水平来清理音轨,从各个滤镜创建一个多重滤镜,管理虚拟照片前置放大器设置,运行DirectX插件,以及删除点击,弹出,大点击,谐波丰富的噪声和选定的频率。
就效果而言,您可以添加逼真的混响和重击,调整多击式回声和音调控制(电平,激励器,低音,中音,高音),通过虚拟阀放大器模拟电子管声音,调整动态处理器,扩展器和噪音门,使音轨向后播放,合并左右声道,增加或减少速度,更改时间和音高,等等。
取证工具包括具有非常尖锐边缘的低通,高通,带通和带阻滤波器,具有随时间变化的频率的频谱图查看器,以及用于从失真文件中删除片段的钳夹。
可以量化音频CD的曲目,将文件切成碎片,查找并标记无声段落,将增益归一化为0dB,通过缩放执行增益归一化,刻录音频CD或数据光盘,以及从音频CD提取翻录曲目。

评估和结论
在我们的测试中没有弹出错误对话框,并且该应用程序没有挂起或崩溃。它使用了低CPU和低至中等的RAM,但是有时它会缓慢地执行一些简单的任务,例如更改主窗口在屏幕上的位置。
考虑到所有因素,Diamond Cut法医音频实验室被证明是用于分析,还原和增强音轨的可靠且资源丰富的应用程序,它应满足大多数有经验的用户的要求。

新功能:
一年免费技术支持!
VST托管(VST插件支持)已添加终于到了!不,您不能直接包含其他公司制造的数十个滤波器。DC Forensic10。可以像其他DC滤波器一样使用,甚至可以在多功能滤波器中使用!
添加了取证音频耳语增强器过滤器(包括15个出厂预设),这远远超出了欺骗性扩展器的范围。新型的Whisper Enhancer采用了一种全新的方法来挖掘出这些使您抓狂的安静信号。这对于没有遭受几轮积极压缩的其他质量不错的录音尤其有用。
Subsonic Explorer该新工具为操作员提供了清晰的30Hz及以下频率能量指示,并允许他或她将其存在与时域波形相关联。这在某些真实性研究中尤其有用,尤其是对模拟编辑开票的研究。
添加了取证直方图比较器
取证自动消音斩波功能此功能非常适合长时间的监视录制,其中90%处于静音状态。使用此新工具,您只需定义要保留的声音级别,程序便会自动标记所有这些无声的段落。它将同时删除它们,并生成一个CSV文件,其中包含删除了静音的确切位置。
频谱频率跟踪以辅助音频认证
低频架子选项已添加到Parametric EQ

功能:
-监视音频记录
-法医音频认证,语音打印和共振峰分析
-文件转录/时间扩展/速度和/或音高变化
-音频恢复和增强
-音频编辑和语音垃圾收集/语音掩盖
-音频和声学测量
-音频文件格式转换
-统计测量工具
-以及更多其他内容。。。

We’re now proud to announce DC Forensics 10 This powerful Forensics software product has all of the power previous versions of DC LIVE/Forensics but with some major new features! You’ll still have the best odds on the planet of pulling a voice out of the recording muck.

Explore rich editing options
You can add markers and labels, change the gain of highlighted areas, apply a fade in and out effect, or edit the Wave header when it comes to the format tag, sample rate, number of channels, bit depth, block alignment, and average bytes/second.
The software application also lets you change the file’s sample rate, resolution, conversion quality and dithering mode, start a recording based on the time of day, create test signal wave files, convert a stereo file into two mono files or vice versa, as well as import and export presets to share with other users (e.g. averaging, bandpass, blender, compressor, continuous noise, declipper, dynamics, echo, enhancer).

A wide range of filters, effects and forensic tools
A batch file editor lets you run a filter on multiple files at once, such as auto-leveling or big click. What’s more, you can clean up a track by adjusting the scratch, crackle, hiss and humming levels, create a multi-filter from individual filters, manage virtual photo preamp settings, run DirectX plugins, as well as remove clicks, pops, large clicks, harmonically rich noise, and selected frequencies.
As far as effects are concerned, you can add realistic reverb and punch, adjust multi-tap echo and tone controls (level, exciter, bass, mids, treble), simulate tube sounds through a virtual valve amplifier, tweak a dynamics processor, expander and noise gate, make the track play backwards, combine the left and right channels, increase or decrease speed, change the time and pitch, and so on.
Forensic tools include lowpass, highpass, bandpass and bandstop filters with very sharp edges, a spectrogram viewer with frequency versus time, along with a declipper for removing clips from distorted files.
It’s possible to quantize tracks for audio CDs, chop files into pieces, find and mark silent passages, normalize gain to 0dB, perform gain normalization with scaling, burn audio CDs or data discs, as well as rip tracks from audio CDs.

Evaluation and conclusion
No error dialogs popped up in our tests, and the app didn’t hang or crash. It used low CPU and low-to-moderate RAM but it sometimes carried out simple tasks slowly, like changing the main window’s position on the screen.
Taking everything into account, Diamond Cut Forensics Audio Laboratory proves to be a reliable and resourceful application for analyzing, restoring and enhancing audio tracks, and it should meet the requirements of most experienced users.

New Features:
Free 1 Year Tech Support!
VST Hosting (VST Plug-in Support) Added It’s finally here! No you can incorporate dozens of filters made by other companies directly DC Forensic 10. The can be used like other DC filters, and they can even be used in the multifilter!
Forensics Audio Whisper Enhancer Filter added (including 15 factory presets)This is much more than a tricked out expander. The new Whisper Enhancer takes a completely novel approach to digging out these quiet signals that drive you crazy. It’s especially useful for otherwise decent quality recordings that have not suffered from several rounds of aggressive compression.
Subsonic Explorer This new tool presents the operator with a clear indication of energy at 30Hz and below and allow him or her to correlate its presence to the time domain waveform. This can be very useful in certain authenticity studies, especially ones that invoice analog edits.
Added a Forensics Histogram Comparator
Forensics Auto Silence Chop-Out function This is great for those hours long surveillance recordings where 90% of it is silence. With this new tool, you just define the level of sound you want to keep and the program automatically marks all those silent passages. It will remove them too and product a CSV file with the exact spots the silence was removed.
Spectral Frequency Tracking to aid in Audio Authentication
Low Frequency Shelf option added to the Paragraphic EQ

Features:
– Surveillance Audio Recording
– Forensics Audio Authentication, Voice-Printing, & Formant Analysis
– File Transcription / Time Expansion / Speed and/or Pitch Change
– Audio Restoration & Enhancement
– Audio Editing & Voice Garbling / Voice Disguising
– Audio & Acoustical Measurements
– Audio File Format Conversions
– Statistical Measurement Tools
– And, much more . . .

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