KONTAKT | FULL – 44,9 GB
CineStrings CORE库在洛杉矶举世闻名的SONY Pictures Scoring舞台上录制，并由资深传奇人物Dennis Sands进行混音，涵盖了管弦乐队部分的要点，并且可以作为任何计分调色板的基础。结果是一个易于使用，对作曲家友好且具有无与伦比的录制质量的字符串库。
CineStrings库不需要您购买任何其他示例播放软件，并且已获得许可与Native Instrument的免费Kontakt Player一起使用。您所需要的只是一个音序器，例如Logic，Cubase，Digital Performer，LIVE，Pro Tools，Cakewalk甚至Apple GarageBand，这样您就可以正常运行了。您还可以将CineStrings与您喜欢的符号软件（例如Sibelius或Finale）一起使用。
Cinestrings CORE（与我们的其他“ Cine”系列库一样）具有非常直观且易于使用的图形界面，具有可快速选择的预设，可以帮助您编写，编程和混合适合您特定实践的内容。映射页面可以快速设置您的速度，按键切换，甚至是midi连续控制器（CC）清晰度切换。我们的混音器页面可让您快速访问我们的完整混音或其他四个麦克风位置。设置页面允许对每个补丁进行高级控制，以进行声音设计，编程和其他有用的功能。
-Spiccato @ 7-8xRR @ pp至f
-Staccato @ 5-6xRR @ pp至fff
-Marcato @ 3xRR @ p至ff
-Sul-Pont Tremolos @从p到f
-Pizzicato @ 5xRR @ p至f
-Bartok Pizz @ 3xRR
-Leg Legno @ 3-5xRR
除了这些功能，我们的界面还具有大量可扩展的可编程性。您可以链接颤音和动态控件，淡化颤音和低音，创建自己独特的混音，甚至可以添加Sony“ Room Tone”等等！
每个仪器部分包含4个主要补丁。我们的基本发音补丁包括Spiccato，Staccato，Legato，Sustains（具有3种颤音设置），Tremolos（包括sul pont）以及半步和全步颤音。我们的第二个补丁称为True Legato，它是从我们的发音补丁派生而来的。 Pizzicato和Col Legno在我们的第三个补丁中，其次是Harmonics。
CineStrings CORE is revolutionary in its power and simplicity for recreating the sound of the orchestral string section. The library was designed by composers, for composers, with direct feedback from the film music community during its development. The result is a string library that is easy to use, composer-friendly, with unparalleled recording quality.
Recorded at the world famous SONY Pictures Scoring Stage in Los Angeles, and mixed by veteran legend Dennis Sands, the CineStrings CORE Library covers the essentials of the orchestral string section, and functions as a foundation in any scoring pallette. The result is a string library that is easy to use, composer-friendly, with unparalleled recording quality.
CineStrings library does not require you to purchase any additional sample playback software, and is licensed to work with the Native Instrument’s free Kontakt Player. All you need is a sequencer like Logic, Cubase, Digital Performer, LIVE, Pro Tools, Cakewalk, or even Apple GarageBand and you’ll be up and running. You can also use CineStrings with your favorite notation software such as Sibelius or Finale.
INTUITIVE GRAPHICAL INTERFACE
Cinestrings CORE (as with our other “Cine” series libraries) has a very intuitive and easy to use graphical interface with quickly selectable presets that can help you write, program and mix tailored to your specific practices. The mapping page can quickly set you up for velocity, key-switching or even midi continuous controller (CC) articulation switching. Our mixer page allows you to quickly access our full mix or the four other microphone positions. The settings page allows for advanced control over each of these patches for sound design, programming and other useful features.
The CineStrings CORE library contains the basic set of articulations needed to do most of the traditional writing and programming for the string section.
– Non-vibrato, vibrato and espressivo sustains with smooth dynamic morphing across five dynamics and across each vibrato position
– Natural legatos with smooth dynamic morphing across four dynamics
– Spiccato @ 7-8xRR @ pp to f
– Staccato @ 5-6xRR @ pp to fff
– Marcato @ 3xRR @ p to ff
– Sforzando Overlay @ p to ff
– Tremolos @ p to f
– Sul-Pont Tremolos @ p to f
– Trills (Whole-Step and Half-Step) @ p to f
– Pizzicato @ 5xRR @ p to f
– Bartok Pizz @ 3xRR
– Col Legno @ 3-5xRR
– Harmonic Sustains @ p to f
Our newest feature is the “Hairpin Creator”. This amazing setting allows for you to automatically get very natural “swells” without having to program a series of controller changes. Based on time or synced to your DAW, the strings can crescendo and decrescendo as you play, including linking a non-vib to espressivo state – this allows for amazing and expressive playing without having to touch any other controller!
When we released the CineBrass library we added a feature called “staccato overlay” – we have taken this in a new MAJOR direction with our new bow-attack overlay in CineStrings CORE. You can quickly switch types of overlay (Marcato, Sforzando, etc) through a CC, which then is “over-layed” on the sustains and legatos each time you play at a hard velocity. This allows you to simulate many different styles of bow attacks and create unique playing styles on the fly and recall easily in your DAW.
Along with these features, expect a great deal of expansive programability with our interface. You can link the vibrato and dynamic controls, crossfade the tremolos and sul ponts , create your own unique mix, even add in the Sony “Room Tone” and much more!
ABOUT THE PATCHES
We have included 4 main patches per instrument section. Our basic Articulation patch includes Spiccato, Staccato, Legato, Sustains (with 3 vibrato settings), Tremolos (including sul pont), and both half-step and whole-step trills. Our second patch is called True Legato, which is derived from our articulation patch. Pizzicato and Col Legno are in our third patch, followed by Harmonics in our last patch.
What is True Legato? True legato means that we sampled all of the intervalic leaps throughout the ranges, both upwards and downwards, for each string section. When you play a True Legato patch, it instantly analyses the intervals you play, then plays the appropriate transitional leap between the notes. The result is a smooth and realistic legato performance. For most of our sections we did this at 4 dynamic levels, again using our dynamic morphing to blend seamlessly from pianissimo to fortissimo. A key feature of our legato patch allows you to switch between Mono and Polyphonic Legato mode. Monophonic mode allows for “soli” line playing while Polyphonic mode allows you to play lines of up to 3 notes simultaneously, while maintaining the appropriate transition samples between all notes. This is especially effective when playing chords that need to connect in a realistic way.
Split Patches: We have included every articulation (Half-Step Trill, Sforzando, Col Legno, Spiccato, etc.) as patch splits which are derived from the articulation patch and pizzicato and col legno patch per instrument. This allows you to save memory space if you only need Spiccato and a Sustain patch. While this may increase your track list, many composers choose to have a lot of patches loaded and switch via track instead of keyswitch or velocity.
MULTIS: We are including a series of “unison” and “octave” Kontakt multis which have been pre-set to allow for quick “big” patch performance without having to track split and transpose. These are made from the original patch lists with some minor adjustments to the script to allow for the octave splitting.
16 – 1st Violin
12 – 2nd Violin
10 – Viola
10 – Cello
7 – Contrabass
WHAT’S NEW IN CINESTRINGS CORE 1.3?
CineStrings CORE v1.3 contains a variety of improvements. It has been rebuilt from the ground up to include the Cinesamples Adaptive Legato Engine featured in CineStrings SOLO and CineWinds CORE and PRO. It also features a new Mapping page, improved voice count for better CPU performance, and a number of bug fixes.
The new Mapping Tab offers the same level of flexibility as CineStrings SOLO and includes the option to link dynamics and vibrato. As dynamics increase, so does the vibrato level.
The Settings Tab offers full dynamic range control. Velocity can control the attack time.
The hairpin creator can link vibrato and crescendo.
Works with Kontakt Player 5.3.1 or higher