Arturia CZ V v1.3.2.1320 (WiN\MAC) [MORiA]| Standalone | VST | VST3 | AAX | AUi | 445.12 MB

CZ V模仿了Casio CZ-101和CZ-1000,这是许多80年代流行歌曲背后的两大热门合成器。它增加了许多新功能,使其成为了古老的乐器。卡西欧(Casio)80年代中期的数字合成器价格便宜,声音强劲。倾听您的声音,您将对新的经过改进的CZ V充满信心。
像您一样,我们喜欢各种口味的合成器。这就是为什么我们只需要重现卡西欧(Casio)专利的相位失真合成技术的真正实质,该技术使他们的CZ系列如此受欢迎。您无需了解相位失真的工作原理,只需让您的耳朵告诉您声音在音乐中听起来有多酷和独特。
正如您对Arturia的所有V Collection所期望的那样,我们的增强功能将CZ转换成可以转化音乐的更强大的声音力量。
一种更简单,功能强大的数字合成
CZ-101于1984年发布,是卡西欧(Casio)对广受欢迎的雅马哈DX7的回应。与它的竞争对手相比,它的成本明显更低,并且编程也更加容易。卡西欧(Casio)的相位失真(PD)代替了频率调制,而是使用各种用户选择的波形在周期级别上调制简单载波的时序,以创建更复杂的波形。这种简化的数字合成形式使得相对较容易完善各种音色,包括温暖的打击垫,自然的打击乐,嗡嗡的洋地黄,科幻效果,甚至是模拟合成器。虽然PD听起来可能类似于FM,但它也拥有独特的声音特征。
CZ的声音帮助推动了Salt-N-Pepa,Was(Not Was)和Vince Clarke等艺术家的关注。让我们将您的名字添加到列表中。
主要特点:
两条合成线和独立的噪声源
所有CZ-101 / CZ-1000原始参数
8个原始波形和自定义波形编辑器
原始CZ SysEx导入
CZ,DADSR和多段包络(可同步和可循环)以控制音调,DCW和幅度
2个调制信封
4个可分配的宏
先进的调制矩阵
一个采样和保持模块,2个具有6个波形的LFO,3个信号源组合器和一个琶音器
4个FX插槽可按系列或每条合成线进行布线
用于实时反馈的综合线状态查看器
原始CZ DAC的仿真
32和弦之声
多达8种具有统一谐音的统一声音
超过400种出厂预设

The CZ V models the Casio CZ-101 and CZ-1000, two cult synthesizers behind many ‘80s pop hits. It adds a ton of new features that make it an instrument for the ages. Casio’s mid-‘80s digital synths were light on price and big on sound. One listen and you’ll be really big on the new, improved CZ V.
Like you, we love synths of every flavor. That’s why we just had to recreate the true essence of Casio’s patented phase distortion synthesis that made their CZ series so popular. You don’t need to understand how phase distortion works—just let your ears tell you how cool and unique it would sound in your music.
As you’ve come to expect from all of Arturia’s V Collection, our enhancements transform CZ into an even more formidable sonic force that can transform your music.
A simpler kind of powerful digital synthesis
Released in 1984, the CZ-101 was Casio’s answer to the wildly popular Yamaha DX7. It was significantly less expensive and infinitely easier to program than its rival. Instead of frequency modulation, Casio’s phase distortion (PD) used various user-selected waveforms to modulate the timing of simple carrier waves at the cycle level in order to create more complex wave shapes. This simplified form of digital synthesis made it comparatively easy to perfect a wide variety of timbres spanning warm pads, natural percussion, buzzy digitalia, sci-fi effects and even analog synths. While PD could sound similar to FM, it also had a unique sonic signature all its own.
The CZ sound helped propel artists like Salt-N-Pepa, Was (Not Was), and Vince Clarke into the spotlight. Let’s add your name to the list.
Main Features:
Two synthesis lines and independent noise source
All CZ-101/CZ-1000 original parameters
8 original waveform and custom waveform editor
Original CZ SysEx import
CZ, DADSR and Multi-Segments envelopes (syncable and loopable) to control pitch, DCW and amplitude
2 Modulation envelopes
4 assignable macros
Advanced modulation matrix
A Sample and Hold module, 2 LFOs with 6 waveforms, 3 sources combinators and an Arpeggiator
4 FXs slots that can be routed in serie or per synthesis line
A synthesis line state viewer for real-time feedback
Emulation of the original CZ DAC
32 voices of polyphony
Up to 8 voices of unison with unison detune
Over 400 factory presets

 

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