弦流中提琴采样了弦乐演奏者使用的一种技术,在这种技术中,他们迅速将弓弦横过弦乐创建了充满活力的弦纹理。

有两种弹奏乐器的方式。

第一种方法很简单:只需选择所需的和弦类型,要插入的琴键,然后使用白色琴键弹奏即可。无论您演奏什么,都能选择适合您所选择琴键的和声。类似于Kontakt中的“ Harmonize”工厂脚本,除了在这种情况下,所有和声都必须手动记录!

第二种演奏方式需要更多的乐器知识,并且更加灵活。如果您弹奏已录制的和弦,则乐器将在中提琴上弹奏该和弦。乐器随附的Midi夹可演示哪些和弦有效。

与Kontakt 5.8.1和Kontakt 6的完整版本一起使用

特征
-界面对演奏的音符做出反应,显示演奏者想要的音乐符号,并显示和弦的音调,倒置和键。这对于那些希望为现场音乐家编写音乐的人来说可能是一种教育。
-随附一系列Midi夹以介绍该乐器。其中包括一些简短的进展,以及所有可能的发音示例。
-每个和弦演奏4小节(约9秒)。为所有样本启用了循环。
-自动速度同步到项目速度。以100BPM记录样品。 85-160BPM听起来不错,最佳速度为120BPM。
-和弦分为4种不同类型的声音。闭音,开音,7和弦和5音。
-在大调和小调以及所有3个反演中都记录了封闭的间隔和弦。第7和弦包括主要的7,小7和大7音。
-除打开的5th音色外,每个和弦均以2个速度层记录,并且每个速度层都有一个法线版本和一个ponticello版本,可以在使用modwheel时淡入淡出。这是增加声音运动的好方法。
-较大的力度层具有rubato,可增加对比度,并呈现出低音线。

变更日志V1.1
新功能-弹奏一个可以改变和弦倒置或音调的按键开关,和弦立即改变

变更日志V1.2
样品改进

变更日志V1.3
修正了一些小错误

Ben Osterhouse String Flow Viola v1.3.1 KONTAKT-DECiBEL |Samples | 666.9MB

String Flow Viola samples a technique string players use, in which they quickly roll the bow across the strings to create an energetic, chordal texture.

There are 2 ways to play the instrument.

The first way is simple: just choose what type of chord you want, what key to be in, and then play on the white keys. Whatever you play will pick a harmony which will fit into whatever key you’ve chosen. It’s kind of like the “Harmonize” factory scripts in Kontakt, except that in this case, all of the harmonies had to be manually recorded!

The second way to play requires more knowledge of the instrument, and is more flexible. If you play a chord that has been recorded, the instrument will play that chord on viola. The midi clips which come with the instrument demonstrate which chords work.

Works with the FULL version of Kontakt 5.8.1 and Kontakt 6

FEATURES
– The interface reacts to notes played, displaying what the music notation would look like to the player, and also showing which voicing, inversion, and key the chord is in. This could be an educational for those looking to write music for live musicians.
– Comes with a collection of midi clips to introduce the instrument. These include a collection of short progressions, and examples of all the possible voicings.
– Each chord was played for 4 measures (about 9 seconds). Loops are enabled for all samples.
– Automatically tempo-syncs to project tempo. The samples were recorded at 100BPM. 85 – 160BPM sounds good, and the optimal tempo is 120BPM.
– Chords are organized into 4 different types of voicings. Closed spacing, open spacing, 7th chords, and open 5ths.
– The closed spacing chords were recorded in both major and minor, and in all 3 inversions. The 7th chords include a dominant 7th, minor 7th, and major 7th voicing.
– Except for the open 5ths voicings, each chord recorded at 2 velocity layers, and each velocity layer has a normale version and a ponticello version, which can be crossfaded between using the modwheel. This is a good way to add motion to the sound.
– The louder velocity layer has rubato which adds contrast, and brings out the bassline.

Changelog V1.1
New Feature – Playing a key switch that changes either the inversion or the voicing of a chord, the chords change right away

Changelog V1.2
Sample improvements

Changelog V1.3
Minor bug fixes

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