ProjectSam Symphobia 4 Pandora v1 0 6 KONTAKT 70.48 GB
通过ProjectSAM广受赞誉的Symphobia系列中的第四卷,让您的动作,科幻和恐怖片获得惊人的发展。 Symphobia 4:Pandora可让您以无与伦比的便捷性和灵活性召唤动人的电影立起者,不祥的瀑布和惊天动地的crescendos。

自适应的编排转换和效果
借助Adaptive Sync轻松将上升管,滚动和上升管同步到您的序列
超过140 GB的管弦乐队合奏录音,包括弦乐,铜管乐器,木管乐器和打击乐器
使用功能强大,可完全自定义的声音设计工具生成惊险的乐谱

张力和戏剧-从黑暗的一面
通过ProjectSAM广受赞誉的Symphobia系列中的第四卷,让您的动作,科幻和恐怖片获得惊人的发展。 Pandora可让您以无与伦比的便捷性和灵活性召唤动人的电影级立管,不祥的瀑布和惊天动地的crescendos。 Pandora的创新型Adaptive Sync可以快速轻松地将其庞大的清晰度和效果库与您的序列相匹配-因此您的下一个截止日期不必是一场噩梦。另外,完全可定制的声音设计工具可帮助您快速雕刻所需的音色。

引入自适应同步
预先录制的crescendos和rolls听起来很棒。但是它们曾经有一个缺点:它们并不十分灵活。任何作曲家都会认识到反复尝试一下渐强音符直到正确位置结束的反复试验过程。如果我们可以的话,我们大多数人宁愿跳过这项繁琐的工作。

Symphobia 4:Pandora充满了过渡样本–声音随时间动态或定向发展-从强大的黄铜crescendos到不和谐的弦板。这些样本都有一个共同点:独特的音乐结局或高潮。
Symphobia 4:Pandora-功能预览:自适应同步
https://www.youtube.com/watch?v=GZpT​​Ps-bF78

使用自适应同步,您可以简单地设置需要渐进,滚动或上升的节拍或秒数。从庞大的资源池中挖掘,Adaptive Sync会自动从其数据库中选择最匹配的记录,并对其进行智能调整,使其与您的命中点完全匹配。同样,您可以非常快速地为渐进或下一个下调*滚动。如果您向后或向前移动音符,引擎将在需要时自动切换到更匹配的录音。如果您更改曲目的速度,自适应同步将进行相应调整。

大胆的表达和狩猎效果
Symphobia 4:Pandora提供各种大型和大胆,可演奏的合奏发音,从大提琴和贝斯到大型30人的低端图蒂乐团。对于其中的所有上升和上升,“自适应同步”随时可以提供帮助。

所有的发音均已选定并记录下来,以为您现有的管弦乐模板增添前所未有的魅力。 Symphobia 4:Pandora是终极的电影画龙点睛。

多种乐器可提供令人兴奋的可选声音层,这些声音层可与主要演奏动态混合。例如,Tutti Orchestra渐强乐器会显示控件,以快速添加Gran cassa,定音鼓和c卷。同样,您可以在低音鼓和Tutti打击乐器中快速添加一种甜味剂。

Symphobia系列一直是管弦乐效果的首选。对于Pandora,在效果会话期间将许多骨头冷却。该库包含比以往任何时候都更精心策划的效果,从怪异的小提琴纹理到响亮的黄铜刺。借助自适应同步和声音设计模式,录制的效果现在比以往更加灵活和可自定义。对于惊悚,恐怖和科幻得分,《 Symphobia 4:潘多拉》绝对是必不可少的。

Pandora专用的效果模块及其声音设计模式使您能够将所有管弦乐声音完全颠倒,利用同步的口吃,音高包络和其他特制效果创建深色的音景和不祥的纹理。

声音设计模式
单击三角形图标将激活声音设计模式。这使您可以直接操纵选择的映射样本,并使用波形控件高度自定义预设。您可以开始采样位置,反向播放,反向同步到降频,时间延长等等。即使默认情况下使用磁盘流式传输的乐器也可以使用这些功能。在将来的库更新**中,我们将继续以“声音设计模式”为基础。

再次单击三角形图标将立即使您返回管弦乐模式的安全性。

脉冲
恐惧症4:潘多拉(Pandora)具有簇脉冲和音调脉冲。

群集脉冲是惯用音符组合,可将即时的电影驱动器添加到您的音轨中。每个琴键都为弦乐,铜管乐器和木管乐器部分记录了不同的音符丛集。对于每个脉冲,可以使用匹配的渐强和断音渐强短语。这些功能可以很好地用作前奏和副奏,特别是与Pandora的Adaptive Sync crescendos和rolls结合使用时。音调脉冲可用于低弦和中弦,分别以八度和一致进行。音调脉冲提供了额外的同步合成器层,可以将其与管弦乐脉冲即时混合。

所有脉冲均以第4、8和16次重复记录。通过Pandora界面,您可以切换中间模式,同时完全保持同步。

  Give your action, sci-fi, and horror scores a blockbuster boost with the fourth volume in ProjectSAM’s acclaimed Symphobia Series. Symphobia 4: Pandora lets you summon rousing cinematic risers, foreboding falls, and earth-shattering crescendos with unmatched ease and flexibility.

ADAPTIVE ORCHESTRAL TRANSITIONS & EFFECTS

Effortlessly sync risers, rolls & crescendos to your sequence with Adaptive Sync
Over 140 GB of orchestral ensemble recordings covering strings, brass, woodwinds & percussion
Generate thrilling scores with powerful, fully customizable sound design tools

TENSION AND DRAMA – FROM THE DARK SIDE

Give your action, sci-fi, and horror scores a blockbuster boost with the fourth volume in ProjectSAM’s acclaimed Symphobia Series. Pandora lets you summon rousing cinematic risers, foreboding falls, and earth-shattering crescendos with unmatched ease and flexibility. Pandora’s innovative Adaptive Sync quickly and effortlessly matches its huge library of articulations and effects with your sequence – so your next deadline needn’t be a nightmare. Plus, fully-customizable sound design tools help you quickly sculpt your desired timbres.

INTRODUCING ADAPTIVE SYNC

Pre-recorded crescendos and rolls sound great. But they used to have a disadvantage: they were not very flexible. Any composer will recognize the trial-and-error process of nudging a crescendo note around until it ends in the right spot. It’s a tedious task that most of us would rather skip if we could.

Symphobia 4: Pandora is packed with transitional samples – sounds that progress dynamically or directionally over time – ranging from powerful brass crescendos to dissonant string risers. These samples all have one thing in common: a distinct, musical ending or climax.

With Adaptive Sync, you can simply set the number of beats or seconds you need the crescendo, roll or riser to be. Tapping from a vast pool, Adaptive Sync automatically picks the best matching recording from its database and intelligently adjusts it to match your hit point exactly. Similarly, you can very quickly time a crescendo or roll with the next downbeat*. If you move a note backwards or forward, the engine will automatically switch to a better matching recording if needed. If you change your track’s tempo, Adaptive Sync will adjust accordingly.

BOLD ARTICULATIONS & HAUNTING EFFECTS

Symphobia 4: Pandora offers a vast selection of big & bold, playable ensemble articulations, ranging from cellos and basses to a massive 30-player low-range Tutti Orchestra. For all crescendos and swells in there, Adaptive Sync is ready to assist.

The articulations have all been selected and recorded to add unprecedented oomph to your existing orchestral template. Symphobia 4: Pandora is the ultimate cinematic finishing touch.

A selection of the instruments offers exciting, optional sound layers that can be mixed in with the main articulation on-the-fly. For example, the Tutti Orchestra crescendo instrument displays controls for quickly adding gran cassa, timpani and cymbal rolls. Similarly, you can quickly add a sub sweetener to the bass drum and tutti percussion instruments.

The Symphobia Series has always been the go-to place for orchestral effects. For Pandora, many a bone was chilled during the effects sessions. The library packs more orchestrated effects than ever, ranging from eerie violin textures to loud brass stabs. And with Adaptive Sync and Sound Design Mode, the recorded effects are now more flexible and customizable than ever. For thriller, horror and sci-fi scoring, Symphobia 4: Pandora is an absolute must-have.

Pandora’s dedicated Effects Module in combination with its Sound Design Mode gives you the power to turn any orchestral sound completely upside down, creating dark soundscapes and ominous textures utilizing the synchronized stutter, pitch envelope and other tailored effects.

SOUND DESIGN MODE

Clicking the triangle icon activates Sound Design Mode. This allows you to directly manipulate a selection of the mapped samples and highly customize your preset using the waveform control. You can jump-start sample positions, reverse playback, reverse sync to downbeat, time-stretch and more. These features are available even for instruments that use disk streaming by default. We keep building on the foundation of Sound Design Mode in future library updates**.

Clicking the triangle icon again instantly takes you back to the safety of Orchestral Mode.

PULSES

Symphobia 4: Pandora features both Cluster Pulses and Tonal Pulses.

Cluster Pulses are idiomatic note combinations that add instant cinematic drive to your track. Each key holds a different recorded cluster of notes for the strings, brass and woodwind sections. For each pulse, a matching crescendo and staccato crescendo phrase is available. These work great as intros and outros, particularly when combined with Pandora’s Adaptive Sync crescendos and rolls. Tonal Pulses are available for low and mid strings, performed in octaves and in unison, respectively. The Tonal Pulses offer additional, synchronized synth layers that can be mixed in with the orchestral pulse on-the-fly.

All pulses have been recorded in 4ths, 8ths and 16ths repetitions. The Pandora interface allows you to switch mid-pattern, with synchronization completely intact.

RISERS

No cinematic library is complete without a solid collection of tension-building string risers. For Pandora, multiple recording sessions were dedicated solely to this, covering lengths from 2 to 15 seconds in different playing techniques and dynamic arcs, including arco, accelerating staccatos, harmonics and sul ponticello tremolo. Here too, matching up the risers with your sequence is a breeze thanks to Adaptive Sync.

You can use the orchestral risers in their original form, or give them the trailer treatment by adding an idiomatic, accelerating stutter effect and some saturation using Pandora’s Effects Module. A number of Snapshots are included as inspiring examples. Pandora also includes a set of suspenseful string downers.

COMBOS

Mind your volume!

Combining the library’s individual articulations, effects, pulses and percussion, Pandora’s Combos hold some of the biggest orchestral ensembles you’ve heard yet. All elements inside a Combo are able to directly communicate with one another, allowing for musical wizardry such as the on-the-fly aligning of a col legno hit to a brass crescendo’s climax. Or a big tutti diminuendo at the end of a riser.

Combos featuring multiple Adaptive Sync instruments offer the option to link their sync settings. This allows you to set the length and timing of the entire ensemble with a single set of controls.

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