[喷火室内弦乐音源]Spitfire Audio Chamber Strings [KONTAKT]（75.35Gb）

这是一套喷火公司的弦乐音色规格是比交响乐团弦乐规模小一点的那种，有点像我是歌手里的现场伴奏的弦乐的规模。室内弦乐，和Symphonic Strings不同，是一个小编制的弦乐，小的可以更美。16个最优秀的弦乐演奏者，通过伦敦航空工作室大厅里最好的信号路径演奏最好的乐器。超深采样字符串表达和技术百科全书。喷火小组最喜欢产品的日期字符串。当许多人听到“室”我们认为白色假发和羽管键琴。然而，在现代方言中，它只描述了一个比交响乐团小的乐队。所以从四重奏到40怪。在字符串而言，这通常意味着一个中等大小的由5个部分组成的集合（第一小提琴、第二小提琴、中提琴、大提琴和低音提琴）。我们的愿望是创建一个最终的室内弦乐项目。

官网：https://www.spitfireaudio.com/shop/a-z/spitfire-chamber-strings/

试听：https://pan.baidu.com/s/1hsms2n6

16个明星演奏者，4个1个小提琴，3个2个，3个小提琴，3个大提琴和3个大提琴，有超过244个发音，包括38个短音，53个longs,19个FX，和45个不同的由Andrew Blaney编程的特殊的legato补丁。记录了多个循环，动态层，并展示了3个基本的和通用的麦克风位置。除了每个单独的部分，我们还会有一个综合选择的发音和技术以一个“合奏”的格式设计。

作为一个Kontakt玩家图书馆，所以不需要再购买图书馆。我们也很自豪，它是我们第一个使用NI硬件的nks就绪的发行版。它有一个新的“直观”的GUI，有一个内置的用户手册。

喷火是在一个室内的弦项目上建造的。我们的很多朋友，包括a – list的作曲家，都抱怨说采样的弦乐是笨拙的，不明确的，太史诗的。在他们的大部分作品中，敏感而美丽的安静通道通过寻找抒情的抒情风格并不需要大量的数字，而是注重细节。当演奏大量的音符时，交响乐的范围通常是三倍和四倍。

因此，我们着手处理一项艰巨的任务，即记录一个房间的字符串范围，这是我们与最亲近的人分享的一个私人项目的一部分，当收到大量的乐观和鼓励时，我们感到很高兴。

然而，许多人注意到，这听起来仍然“有点大”。于是我们带着一个问题回到了室内挑战赛:我们能在不听起来像一个章节之前能有多小?答案是4,3,3,3,3。在最好的记录地点之一，一个独特的亲密的团队。本项目最初可用于本项目，现在已经用了4年的时间。我们现在在一个合理的、更即时可用的形式出现了喷火室的弦。正如之前所提到的，斯皮德团队最喜欢的弦乐系列，它的美丽，它的多才多艺，还有它独特的音质。

对我们来说，如果你是一个想从羊群中脱颖而出的作曲家，我们的室内琴弦值得你关注。

特性

244个发声;38个短音，53个长音，19个FX & 45个legatos。

16名伦敦顶级演奏者。

•原位记录(例如:在他们坐的位置上)

•用无价之宝和缎带进行录音。

·内维·蒙特塞拉特在一个新的88R办公桌前。

•用数字技术记录96k – 2“Studer磁带”。

•深度取样于多个动态层和循环。

•多种多样的，详细的，有必要的，额外的和一些完全独特的发音

由Andrew Blaney设计的Legatos

•个人部分和团体。

•3种基本的、多样化的、最喜欢的麦克风位置:(C(lose)、T(ree)、A(mbient)

•Kontakt球员包括

•NKS-ready

•新的直观GUI与嵌入式帮助系统。

•全世界成千上万非常自豪和快乐的用户!

Small can be more beautiful. 16 of the finest string players, playing the finest instruments via the finest signal path in The Hall at Air Studios, London. A super deep-sampled encyclopaedia of string articulations and techniques. The Spitfire team’s favourite string product to-date.

When many of us hear the word “chamber” we think of white wigs and harpsichords. In modern vernacular however it simply describes a band that is smaller than a symphony orchestra. So anything from a quartet to 40 odd players. Where strings are concerned it generally means a medium sized ensemble consisting of 5 sections (1st violins, 2nd violins, violas, cellos and basses).

Our desire was to create the definitive chamber strings project, recorded at Air Studios, that gives you the widescreen Hollywood sound we all desire, with a detail and ability to articulate that is harder with larger sized string sample libraries.

16 star players, 4 1st Violins, 3 2nds, 3 Violas, 3 Cellos & 3 Basses super deep sampled with over 244 articulations, including 38 shorts, 53 longs, 19 FX, and 45 extraordinary legato patches programmed by Andrew Blaney. Recorded with multiple round robins, dynamic layers and presented with 3 essential and versatile microphone positions. In addition to each individual section we also have a comprehensive selection of articulations and techniques presented in an ‘ensemble’ format designed for sketching and composing with ‘out of the box’ satisfaction.

Presented as a Kontakt Player library so no further purchases are necessary to run the library. We’re also proud that it is our first NKS-ready release for use with NI hardware. It features a new ‘intuitive’ GUI with an inbuilt user manual.

Spitfire was built on a chamber strings project. Many of our friends, including A-list composers, complained that sampled strings were unwieldy, ill-defined and too epic. That for much of their output, sensitive and achingly beautiful quiet passages through to searing lyricism didn’t require huge numbers but attention to detail. That symphonic ranges often tripled and quadrupled in size when playing lots of notes.

So we set about the difficult task of recording a chamber strings range which we shared as part of a private project with our nearest and dearest, and were delighted when it was received with huge amounts of optimism and encouragement.

Many, however, noted how it still sounded ‘kind of big’. So we returned to the chamber challenge with a question: How small can we go before it no longer sounds like a section? The answer was 4,3,3,3,3. A uniquely intimate group of extraordinary players in one of the best recording locations. Originally available in volumes, this project has now taken 4 years of our life. We now present Spitfire Chamber Strings in a rationalised, and more instantly useable form. As mentioned before it is the Spitfire team’s absolute favourite string range, admired for its beauty, its versatility but also its totally unique sonic character.

For us, if you’re a composer looking to stand out from the herd, our Chamber Strings are worthy of your attention.

FEATURES
• 244 articulations; 38 shorts, 53 longs, 19 FX & 45 legatos.

• 16 Top London string players.

• Recorded in situ (ie: in the positions they would sit as a section)

• Recorded using priceless valve and ribbon mics.

• Neve Montserrat Pre-amps into a Neve 88R desk.

• Recorded digitally at 96k via 2″ Studer tape.

• Deep sampled with multiple dynamic layers and round robins.

• Diverse and detailed with essential, additional and some totally unique articulations

• Legatos designed by Andrew Blaney

• Individual sections and ensembles.

• 3 Essential, diverse and most favoured mic positions: (C(lose), T(ree), A(mbient)

• Kontakt Player included

• NKS-ready

• New intuitive GUI with inline help system.

• Thousands of very proud and happy users around the globe!

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