[小提琴独奏音源]Fluffy Audio Trio Broz Solo Violin v2.0 [KONTAKT]（10.49Gb）

我们在特雷维索的神奇的茶特罗熟食歌唱家，由意大利天才音乐家芭芭拉(小提琴)、贾达(中提琴)和克劳斯(大提琴)组成的弦乐三重奏。小提琴的特征高达3.5倍音阶，4个动态层次的持续发音，2个连奏类型，4个圆形罗宾斯为短节，如毛刺，Staccato和Pizzicato。我们提供您的能力，创造您独特的声音，通过混合3个麦克风的位置(关闭，中和远)。抽样是最高质量的齿轮：Schoep和AudioTechnica麦克风，Neve和千禧年媒体放大器。

这把小提琴是1839年在都灵制造的。自2010年起由芭芭拉·布洛兹演奏。

动态控制引擎

在开发库时，我们尝试使用压缩和规范化来避免对样本的过度处理。因此，我们需要一个特殊的脚本设备，可以将所有的样本转换以一种非常平滑和现实的方式。我们开发了一个外部工具，用于分析样本并将这些数据导入Kontakt，称为动态控制引擎(DynamicControlEngine)。由于DCE，Kontakt知道了目前在仪器中演奏的样本的数量，并将输入的样本数量与前面的样本相匹配。最后，DCE完美无缺地“在雷达下”工作，让用户自由地享受演奏和建立他表达的连续词组的乐趣。

螺距轮控制

此外，你可以从下面的视频中看到，该仪器的特点是动态发音，如重音和渐强的攻击，以及Glissando/连续音系，由音调轮动态控制。这样就可以制作出优美的音乐词组，开头流畅，结尾逐渐褪色，音符突然突出，并带有模糊的段落。DCE引擎的通用性很好地处理了所有这些技术。

特征：

6862个样本
6.5GB NCW压缩样本池(11 GB原始样本大小)
3个麦克风位置
3.5倍频程音符范围
非颤音+合成颤音
四圆刺槐的断奏、毛刺、比兹卡托发音
DCE发动机混合动力
持续关节的4个动态层
螺距-车轮控制的亚关节，如crescendo，重音攻击。
两个真正的连奏发音：手指连奏和Glissando。
人性化调谐
基于性能分析的自动连奏速度
17脉冲混响
带有许多可配置参数的动画GUI
即插即用预置

需要完整版本的本地乐器Kontakt 5.4或更高版本

读NFO

关于释放

毛茸茸的音频在他们的网站上不卖2.0版

然后向他们的早期客户提供v2.0，但是

独奏小提琴或独奏弦乐束

关于v2.0更新

芭芭拉·布洛兹为我们的小提琴增加了一些新的发音。

新的2.0版本将旧的发音与新的
分离Θ发音，连续音符，两个发音
快连和快刺过去用来模仿非常快。
演奏颤音和和声，我们也扩展了
经典连奏的保龄球

We sampled a string trio of talented Italian musicians, Barbara (violin), Giada (viola) and Klaus (cello), at the amazing Teatro delle Voci in Treviso. The Violin features up to 3.5 octaves, 4 dynamic layers for sustained articulations, 2 legato types, 4 Round Robins for short articulations like Spiccato, Staccato and Pizzicato. We provide you the ability to create your unique sound by mixing the 3 microphones positions (Close, Mid and Far). The sampling was madetop quality gear: Schoeps and AudioTechnica microphones, Neve and Millennia Media preamps.

The violin is a 1839 Gaetano Guadagnini made in Turin. It is played by Barbara Broz since 2010

DCE – DYNAMIC CONTROL ENGINE

When developing the library we tried to avoid over-processing the samples by using compression and normalization. Therefore we needed a special scripting device which could blend all the samples transitions in a very smooth and realistic way. We developed an external tool which analyzes the samples and imports this data into Kontakt called the Dynamic Control Engine. Thanks to the DCE, Kontakt knows the volumes of the samples currently playing in the instrument and matches the volume of the incoming samples with the previous ones. In the end the DCE works flawlessly “under the radar” leaving the user free to enjoy playing and building his expressive legato phrases.

PITCH WHEEL CONTROL

Furthermore, as you can see from the video below, the instrument features dynamic articulations like accented and crescendo attacks and glissando/legato articulations, dynamically controlled by the Pitch Wheel. This allows to craft beautiful musical phrases with a smooth beginning and a faded ending or abrupt accented notes with slurred passages along the way. The versatility of the DCE engine handles smoothly all these techniques.

FEATURES:

6862 samples
6.5 GB ncw compressed sample pool (11 GB original sample size)
3 mic positions
3.5 octaves note range
Vibrato, non-vibrato + synthesized vibrato
Staccato, Spiccato, Pizzicato articulations with 4 Round Robins
DCE Engine to blend the dynamics
4 dynamic layers for sustained articulations
Pitch-Wheel controlled sub articulations like crescendo, accented attack
Two true-legato articulations: fingered legato and glissando
Humanized tuning
Automatic legato speed based on the analysis of your performance
17 Impulse Reverbs
Animated GUI with many configurable parameters
Ready-to-play presets

Full version of Native Instruments Kontakt 5.4 or above is required

READ NFO

About the release

Fluffy Audio does not sell version 2.0 on their website

Then offer v2.0 to their earlier customers but brought

Solo Violin or the Solo Strings Bundle

About the v2.0 update

Barbara Broz adds some new articulations to our violin

The new 2.0 version integrates the old articulations with a new
detachΘ articulation, a legato espressivo, two articulations for
fast-legato and fast-spiccato û used to emulate very fast
playing û tremolo and harmonics û also we’ve extended
the bowings for the classic legato

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